Pusha T’s beach is better.

This video brings the Liz Rodrigues-assisted song to life.

Love him or hate him, that fucker Tyler consistently makes groundbreaking amazing visuals.

You love to hear the story again and again. Nipsey Hussle shook up the game by releasing a limited amount of a 1000 albums and decided to sell them for a $100 dollars a pop. And boy did his true fans come through and even Hov applauded his new rules stance and copped a hundred himself. But now that we’re clear on Hussle’s business acumen, the question remains is Crenshaw any good?

Thanks, Killa. You promised us a collection of tunes and you finally came thru. (Hi Jay Electronica).

I have to tell the truth I didn’t really connect to this joint when it first dropped in August. It wasn’t what most expected so we were quick to dismiss it. But y’all should know by now Nayvadius is a certified hit maker.

Mastermind season has officially begun. Rozay connects with the feature king, Future for a rollicking rowdy banger that makes it clear to the competition that the Bawse is back to reclaim his turf.

Yeah the hair is crazy. The smile is crooked. The gap is wide. But don’t let his appearance fool you. Danny Brown is a real hip-hop nigga.

It’s what you all been waiting for it, ain’t it? It was a long road to an album release date since the celebrated Clipse MC signed to G.O.O.D. Music three years ago, but finally Pusha T delivers. Inspired by 90s hip-hop, this album plays like one side of a TDK 90 mins cassette tape. You can almost hear the hisses, my nigga.

T.I. is a free agent and until these labels get their paper up to his standards, he’s gonna offset the “Blurred Lines” appearances by feeding the underground. And you know The Kang doesn’t roll alone. He’s got a crew behind him. Released this past May, the Get Dough Or Die mixtape showcases a wide array of talent all in business with Mr. Harris.

Yeah we had issues with his major label debut, 2012’s Live From The Underground, but when Big K.R.I.T. returns to his mixtape roots, he’s unfuckwitable. Released in April, King Remembered In Time is the Mississippi Man’s tenth mixtape and he sounds as sharp and poignant as ever.

The white kid from Company Flow and the ATLien offspring of OutKast form a rap group? Yeah I’m with it, I’m with it. It all began a year ago when El-P handled production for Killer Mike’s R.A.P. Music. Their chemistry was evident and thankfully this past summer they officially formed a dynamic duo named Run The Jewels and released a self-titled free mixtape.

This one is quite a polarizing release for the Rap Radar staff. Well fellas whether you like it or not, Acid Rap is the most-acclaimed mixtape of the year. It’s made the Chicago MC, a magazine cover star and the hottest free agent in this business of rap. That’s all pretty good for a kid on his second mixtape.

Like they always do at this time: Meek Mill and fellow Philadelphian DJ Drama join forces to bring you the latest edition to their classic mixtape series. From the jump you know it’s gonna be a grand affair. Y’all know Meek loves an intro and this one includes a surprise guest verse from Travi$ Scott and appearances from two of hip-hop’s most notorious shit talkers Birdman and Diddy. Fuck they little T-Ts too, Puff? Damn!

You know the drilly, my nilly. Them white dudes make better videos than you. Watch Macklemore gets his matador on, interracial malt liquor make outs and more cameos than MJ’s “Liberian Girl”.

Now that’s a big-ass box. Boy that Marshall Mathers guy looks charged. Hey why not? With cameos from Kendrick, Kid Rock, Slaughterhouse and Rick Rubin, this looks like a public disturbance parade.

You probably don’t need a reminder but Anthony Mandler is a great video director. Here he remixes and screws and chops the JZ/JT collabo to create a gripping visual. Are you happy Rick Rubin?

For those who wanted to see Drizzy Drake return to acting, well here you go. Taking it back to some classic Miami Vice episode, Drake is celebrating criminal success when Fredo Santana kidnaps his white lingerie-laced lady friend.

Forget having a visual that matches the exact sentiment of the song, J.Cole wanted to strike nerves and make a statement. After being moved by a viewing of Fruitvale Station, Cole decided to address the 2010 death of Aiyana Stanley-Jones, a 7-year-old girl who was shot and killed in a police raid of her home.

They said French couldn’t make hits on his own? Boy was they wrong. Over Rico Love and company’s jingling backdrop, Montana masterfully turns a hook into pretty much a full song.