New Mixtape: Birdman x Rick Ross The HPosted by: Big Homie
Eminem & Friends Europe Show DatesPosted by: Big Homie
Cipha Sounds & Rosenberg Interviews YNPosted by: B.Dot
New LP: Gucci Mane Trap House IIIPosted by: B.Dot
New Music: Black Hippy “U.O.E.N.O (Remix)”Posted by: B.Dot
Fuck Harvey Levin and anybody that loves his celebrity news website. First you prematurely pronounce the impending death of Lil Wayne (Weezy Forgives. We Don't.) and then you try to link the horrific actions of one of the Boston Marathon culprits to our culture? "DEAD BOMBING SUSPECT: HEAVY INTO HIP HOP" You don't say? It's 2013 and most kids are into rap music. We've been penetrated pop culture, you cock suckers. "What's interesting... hip-hop lyrics are notoriously violent and often degrading to women." So our music is at fault in this tragedy? Let's be clear the only bombs my culture cosigns is DJ Funkmaster Flex's sound effects. Thirty Mile Zone is prone to post anything to get traffic. Fuck dude and his coffee cup. Get you a Rap Radar cup and drink with us in the winner's circle.
Oh Miguel. Leg droppin your fans? You ain't Hulk Hogan and that wasn't part of the program. That's no way to treat the adoring ladies, brother.
Nip Hussle gives Big Snoop D-O-Double-G the blue carpet treatment on this cut from their upcoming collaborative effort. According to Cinematic CEO Jonny Shipes, an incomplete version of this leaked earlier this morning. The audio below is the proper recording.
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So far, one of the highlights of my career was penning Boosie’s 2007 feature in XXL’s inaugural Freshman 10 issue. Technically, it was it my first cover story. At the time, he was gaining national attention for his verse on the “Wipe Down (Remix)”. A year later on the street cut, “Don’t I Act A Donkey” he quipped: “I’m bout my mill muthafucka, XXL cover/ But I stand out from everybody though and everybody know”. Here, Boosie reflects on his appearance.
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Earlier today, I had a pow wow with señor Bad Azz at Asylum Records. For those keeping score, it’s been three years since the release of Bad Azz. And while most artists fade to obscurity, mixtape releases and guest spots helped preserve his buzz. Following up with Superbad on September 15th, Boosie talks about the postponment. Hang tight, more clips on the way.
There was a big listening of Man On The Moon tonight in the NYC. Lots of journalists and bloggers had their phones and flip cams confiscated to experience the event. Well, YN is still on his couch. But thankfully, my folks at Showing Out hit me with a recap. Like a lot of folks I’m following on Twitter, they’re feelin’ the album.
Now this is a bold statement: To put it bluntly, Kanye wishes that he could have made this album, one that sounds genuine without a single forced element.
Well, read all about here.
Note: The views of SO do not necessarily reflect the RR. Got it? Good.
There was a big listening of Man On The Moon tonight in the NYC. Lots of journalists and bloggers had their phones and flip cams confiscated to experience the event. Well, YN is still on his couch. But thankfully, my folks at Showing Out hit me with a recap. Like a lot of folks I’m following on Twitter, they’re feelin’ the album.
Now this is a bold statement: To put it bluntly, Kanye wishes that he could have made this album, one that sounds genuine without a single forced element.
Well, read all about here.
Note: The views of SO do not necessarily reflect the RR. Got it? Good.
The Aftermath producer breaks down the creation of the music behind the Clipse’s first single. I know for a fact that track went through several hands through the years before gettin’ to the Thornton Brothers. But obviously, it was meant to be. The boys from VA nailed this one. Ugh!
Props: HHO
The Aftermath producer breaks down the creation of the music behind the Clipse’s first single. I know for a fact that track went through several hands through the years before gettin’ to the Thornton Brothers. But obviously, it was meant to be. The boys from VA nailed this one. Ugh!
Props: HHO
Here’s a lil somethin’, lil somethin’ from Mr. D’Agostino. The Evil Genius has a great ear for this rap shit. Listen and learn.
Bonus: This is a fave of the Mrs. and it’s actually tighter than the AG version.
Um, after one listen: Drake & Em > Yeezy & Weezy. White Power FTW!
Props: Lil Wayne HQ| Photo Collage: ThisIs50
Update: The party’s just gettin’ started.
Update 2: OnSmash has tagless.
Update 3: Now with lyrics!
I remember when LowKey on the low sent me the annoyingly-tagged up early copy of “S.L.U.” I wasn’t even back in the game then. My how times have changed. Honestly, I didn’t recall Clifford changed his bars on this but so glad he did. Minus the colder than February line, I used to think his verse was the best on the final mix. Don’t shoot me. Think we all agree the following is pretty underwhelming.
Sidebar: Hopefully, we’re two days away from “Forever” and why would you ever change the hook? Somebody get Mack Maine on the phone!
Update: Uh oh, it just leaked.
