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Fuck Harvey Levin and anybody that loves his celebrity news website. First you prematurely pronounce the impending death of Lil Wayne (Weezy Forgives. We Don't.) and then you try to link the horrific actions of one of the Boston Marathon culprits to our culture? "DEAD BOMBING SUSPECT: HEAVY INTO HIP HOP" You don't say? It's 2013 and most kids are into rap music. We've been penetrated pop culture, you cock suckers. "What's interesting... hip-hop lyrics are notoriously violent and often degrading to women." So our music is at fault in this tragedy? Let's be clear the only bombs my culture cosigns is DJ Funkmaster Flex's sound effects. Thirty Mile Zone is prone to post anything to get traffic. Fuck dude and his coffee cup. Get you a Rap Radar cup and drink with us in the winner's circle.
Oh Miguel. Leg droppin your fans? You ain't Hulk Hogan and that wasn't part of the program. That's no way to treat the adoring ladies, brother.Before Wale hit the stage last night at the Bowery Ballroom, DJ Clark Kent warmed up the crowd with some classic material. Based on the reaction, it’s hard to tell if Brooklyn was truly in the house.
With DJ Clark Kent on the mic, Wale held court last night at the Bowery Ballroom and brought out French Montana for “Back 2 Ballin”, “Actin Up” and “Ocho Cinco”. Page 31 has more footage below of Wale performing ”Bad” alongside Tiara Thomas and “The One Eyed Kitten Song”.
With Folarin dropping later, Wale and producer Clark Kent sat with Peter Rosenberg to discuss its creative process, their relationship, balancing Go-Go and Rap and dealing with criticism.
Sidebar: Wale Breaks Down “The Blessings”
UPDATE: Parts 2 & 3 after the jump.
The Barclays Center vlog continues as we explore the culture of the borough. The episode features commentary from residents as well as BK’s president Marty Markowitz, Director X and DJ Clark Kent.
Previously: The Brooklynettes
A week after my appearance on The Combat Jack Show, DJ Clark Kent was this week’s guest. The interview is over two hours long, but here’s a synopsis of their conversation. Dive in.
This man’s history can’t fit in one episode. Pause. Clark talks about how he started dj’ing at 9 years old as he witnessed first hand the birth of Hip Hop, why he felt Jay-Z was a better mc than B.I.G., why he didn’t sign NaS and more. We didn’t even get to the sneakers.
With DJ Clark Kent on the wheels, A$AP and crew performed last night at the AE District Miami for Hip-Hop photographer Jonathan Mannion’s Reebok Classic event. Above Brock Fetch catches the “Trilla“.
You can probably ask me where the weed is at, and I’ll tell ya. But Maino’s got 5 on it. Here DJ Clark Kent gets Mr. Hustle Hard to hop on the classic Luniz tune. Dum-dum-dum-dum.
DJ Clark Kent and The Remedy stopped by Grind Music Radio last week and talked to Sean C & LV about how much equipment was needed to craft beats back in the day. Superman also mentions that Jay Elect’s “Exhibit C” inspired him to get back into full production mode and then he speaks on Rick Ross’ “Super High”.
Ross hopped on the Def Jam conference call this afternoon and spoke on the reception of his new single “Super High”. During the call, DJ Clark Kent phoned in and discussed how the song came to fruition. Later on, Ross says he named his new album, Teflon Don after his former stage name and confirmed that Jay-Z will be featured on the disc.
This past Friday, Clark Kent stepped behind the 1′s and 2′s at 595 North nightclub in ATL. Hey DJs, take a minute and watch Kent transform into Superman. Just don’t ask for no damn requests! Ha!
