Author: B.Dot

Sigh. Sometimes, the prettiest people do the ugliest things. Here’s new music, from my ex, Meagan Good.
“Stark Struck”
{mp3}meagan good-starstruck{/mp3}
Props: Broken Cool
[youtube=http://www.youtube.com/watch?v=m3x23uYrMVk]
Believe it or not, but once upon a time people actually gave a fuck about Mims’ album. My, how times have changed. But hey, Rap Radar cares when no one else cares. So in celebration of your new floppy disk effort today, here’s a trip down memory lane with Regis Jeff Probst and Kelly Ripa.
Bonus: Jadakiss appeared on Regis and Kelly too! The Last Kiss in stores today.
[vodpod id=ExternalVideo.891825&w=425&h=350&fv=m%3D55116089%26type%3Dvideo%26a%3D0]
Here’s a new clip off Mary Kate and Ashley Nina Sky’s upcoming album, The Musical. So far, the twins are batting a thousand in my book. Their other cut with Cadet Ross, is muy bueno too.
Props: Rap-Up
[youtube=http://www.youtube.com/watch?v=735BJ472q3g]
Last night at a Microsoft/ VH1 party, Nas Common covered the little homies classic opus, “NY State of Mind”. Look ma, no fuck ups!
Props: Andrew Barber

Off his upcoming 90s Mixtape, Cory scores a triple double over O’Shea’s oldy but goody, “Good Day”.
“Reminiscing about my niggas gets me misty eyed, my classmate turned fiend from the shit she tried.”
Did we go to the same school? *shrugs shoulders*
“Good Day”
{mp3}cory gunz- good day{/mp3}
Last Week: Tuesday’s With Cory: Hustler’s Anthem

In case you haven’t heard, Eminem is back! And I for one, am diggin’ both the song and the video for, “We Made You.” The single is ten times better than that awful, “Just Lose It” (albeit, a bit funny). Plus, “We Made You’s” chorus is actually more catchy than it is gimmicky. After the jump, peep the the five best things about Shady’s new vid. “We Made You”, why would we play you?!
With "Which One," Drake and Central Cee bridge the Atlantic through their shared affinity for Caribbean-influenced sonics, cementing UK drill's arrival in mainstream hip-hop's upper echelon. This collaboration isn't just another checkbox on Drake's endless list of co-signs—it represents the continued global evolution of Black music dialects, with Central Cee's gritty London cadence providing the perfect counterbalance to Drake's melodic versatility. The track's immediate chart success proves that the UK-Toronto pipeline remains one of hip-hop's most fruitful cross-cultural exchanges.