[youtube=http://www.youtube.com/watch?v=-1HQhTQHFTU]
Pharrell and friends premier their new track, “Soldier” on Late Night with Jimmy Fallon. At the :30 second mark, Skateboard P does the McDonalds shuffle, again. Will someone get this nigga some dance lessons?
Props: 3030 FM
Here’s the second remix of “I Run”. This time around, it features Nipsey Hussle, E-40, and Yo Gotti.
FYI: 40 assassinates the track. No bias. No Bull.
{mp3}i run remix{/mp3}
Props: Mr X
Extra Credit: Can’t forget where you came from. A Flock of Seagulls, “I Ran”
{mp3}i ran{/mp3}
In this month’s XXL, Officer Ricky goes for the jugular:
“50 Cent is very cunning, and I’ll give him that, but, at the end of the day, he’s a human yeast infection…I have no agenda to end his career. His music is doing that. What I’m doing is speaking for the South and what we on. We not on that vibe….You gotta understand, in the South you go to the hood, niggas ain’t on laptops. Niggas don’t go to Worldstar.”
He’s right, they go to RapRadar. Ha! The May issue of XXL is on newsstands now.
Photo: Jonathan Mannion
Either this pic was was taken in 1986 or at Nick’s birthday party last year. Nevertheless, today is all about you. And in celebration of hitting the big 4-0, here’s a song FUBU. (Get it? “For U, By U”) *crickets*
{mp3}mariah carey bday song{/mp3}
Consider this is a public service announcement:
ATTENTION PRODUCERS!!! — G.O.O.D Music/Universal’s artist Kid Cudi b.k.a. The Man on the Moon, needs beats ASAP to complete his album. But, not just any beats, he needs uptempo hip-hop beats with NO HOOKS. So, if you think you got what it takes, submit your beats (max 3 per producer) to:
Make sure you include your contact info and the names of your tracks so we can reach out to you if you qualify.
If you’d like more information about Kid Cudi or catch his vibe, visit: www.kidcudi.com
For everyone else, forward your shitty tracks to Joe Budden. He hearts bad production.
Here is the anticipated cut “Harry Asshole” off, UGK 4 Life.
“Fresh out of school, ’bout her business/ Young and super fine/ Taught her how to rub nuts when I fuck her from behind.” — Torrence Hatch
{mp3}10 harry asshole ft. lil boosie and webbie{/mp3}
[youtube=http://www.youtube.com/watch?v=lMJ7Q0aiV4I]
During a recent taping for 60 Minutes, Hovi’s homie sinks an under-hand half court shot. “I’m one take baby, that’s all. I’m just one take.”
He’s unstoppable (c) Riddick Bowe
Props: ICE
Here’s a new record from Chester the Molester R.Kelly and Lil Jon. Was the Auto-Tunes really necessary, Robert?
{mp3}bobble f_ lil jon{/mp3}
Props: broken cool via Gowherehiphop
Reported live from the house Russell and Rick built:
1. “Pain & Torture”
When it comes to producers, Buckwild’s a name you can trust. And on this booming track, Jada talks greasier than a can of WD-40.
2. “Can’t Stop Me” Featuring Ayannna Irish
Not even the Ashford and Simpson-penned sample (Ross!) could get this track high enough on the charts.
3. “Who’s Real” Featuring Swizz Beatz and OJ Da Juiceman
Putting Jada and OJ on the same track is like mixing vodka and milk. Yuck.
4. “Grind Hard” Featuring Mary J Blige
It’s a 914 thing. The track has an electro bounce to it and meshes well with Mary’s vocals.
5. “Something Else” Featuring Young Jeezy
Dark and moody guitar strings back Jason and Jay. But honestly, it’s better suited for the Snowman with lines like: “See these blood diamonds, my chain African.” Yep, ignorance is bliss and I’m cheesing from ear to ear.
Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.