Ranson gets disrespectful alongside The Ghost and Lore’l on his latest release. This one ought to come with a parental advisory sticker.
Author: B.Dot
While at the Paid Dues Festival this past weekend, Scarface tells FUSE that his collaborative album with Beanie Sigel isn’t going to happen. His reasoning is due to the over saturation of rap music. This is probably the smartest thing an artist has said in a long time. He also spoke on his appearance on Beyonce’s “Bow Down (Remix)” and possible Geto Boys tour.
Nardwuar kicked it with Pharrell again for another interview. This time, P talked about getting high off six weed brownies and tutelage under Teddy Riley. Instead of closing out with his signature catchphrase, Pharell turned the tables with some questions of his own. Stay tuned for part two. UPDATE: P’s turn.
Gangster’s don’t die. They shoot videos that end up on Worldstar and YouTube. Here’s Vado’s new clip featuring his We The Best comrades. Download V12’s Slime Flu 3 here.
The annual Paid Dues Festival went down last night in San Bernardino, Ca last night with Black Hippy on the bill. The collective kicked things off with “Black Lip Bastard (Remix)”. Afterward, Kendrick performed an acapella of “Bitch Don’t Kill My Vibe (Remix)”. HHH has more footage after the jump.
B.o.B. turns an average flight into a soul plane as part of Vitamin Water’s latest ad campaign. This isn’t the first time Bobby Ray’s performed on an airliner though. Back
It’s going down as some of the Lone Star State’s finest add their vocals to Beyonce’s chopped and screwed melody. Even the remixes are bigger in Texas.
Pill keeps his trigger finger itching on this new track off his upcoming mix,
Tyler’s living in a Barbie world for his self directed video in support of Wolf. Pharell’s also featured on the track, but doesn’t make a cameo.
Drake’s right hand man, 40 turned 30 years old yesterday. And while at Tree Sound Studios in Atlanta, Drizzy surprised him with a cake and some well wishes. What, Big booty hoes?! 3littledigs
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.