The good folks over at Emmis Communications compiled clips from Martin and Trindad James’ video. Hilarious and sad at the same damn time.
Author: B.Dot
Slim Thug and co. sprinkle some gold dust onto Trinidad James instrumental for their new video. The cakes on those video models are worth their weight in gold.
Say it ain’t so, Joe. Earlier today, Fat Joe plead guilty to tax evasion in a New Jersey federal court. Joe admitted to neglecting to file tax returns in 2007 and 2008. The government says the total exceeds more than $718,000. Crack faces two years behind bars and a $200,000 fine. He will be sentenced on April 3rd. nydailynews
Wale’s Folarin mixtape is arriving on Christmas Eve, but for now, he blesses us with new material produced by LG. complex
The Gramercy Theater was packed to the brim last night for the Roc-A-Fella Reunion Concert. Without Hov or Beans, the Young Gunz, Freeway and Memphis Bleek held things down with special guests, Mos Def, Peedi Crakk and N.O.R.E. With Young Gurue and Just Blaze on the turntables, here’s a recap of what you missed.
Denzil Porter heats up the
For the last three months, rumor has it that Lyor Cohen is forming a talent mgmt company. Now, the
In the final clip from Al Lindstrom’s 2012 roundtable, we debate this year’s Most Valuable Player and 6th Man Of The Year. A lot of names were tossed, but some things never change.
Seems like Freeway is releasing a new video everyday. Here’s his latest off his Freedom Of Speech mixtape hosted by Don Cannon.
After T.I. paid DJ Self a visit, State Property along with Pain In Da Ass, made their way to Power 105.1. The gang wasn’t all there, but they held their own with some solid bars. Neef Buck ought to speak more. Whoa!
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.