As #TDEFamAppreciationWeek continues, ScHoolBoy Q acts a fool on his new recording produced by Kenny Beats. Party on, dudes.
Author: B.Dot
Sean Kingston is Feeding The Streets every Thursday with new music. And to help kick off his series, he recruits fellow yardie Busta Rhymes. Let’s see how long this survives.
Although Curren$y and Wiz Khalifa’s Live In Concert mixtape is on hold, they’re continuing to work. And yesterday, the tandem shot the treatment for “Jet Life” off Spitta’s The Stoned Immaculate. Here’s how it unfolded from Karen Civil‘s lens.
Eminem was in Osaka, Japan last night and gave one of his rare performances. He began his set with “Won’t Back Down” and near the end brought out Royce Da’ 5’9″. Tons of clips below.
This title would make for a great t-shirt. Anyway, here’s the latest drop from Kirko Bangz’s Procrastination Killz 4 mixtape. Full thing drops on Monday.
Ace Hood’s releasing a new mixtape Body Bag Vol. 2 tomorrow but before he lets it go, he leggo’s his final leak. Produced by Mike Will Made It.
With Gucci Mane supplying the hook, Busta gives an effortless display in support of his free album. Year Of The Dragon drops next Tuesday. GooglePlay
With By Any Means in the director’s chair, 360 throws a backyard jam in his new visual aid. This is what the summer is all about. Off his EP, Everywhere And Back which you can check out here.
Donnis’ Break Hundreds & Hearts EP is en route. But today, he drops-off one of the seven tracks from the project. Check that out and the remaining six titles below. In two weeks
The hustle never stops and neither does MMG’s DJ Scream. Here’s footage of him making his round for the first time in St. Thomas Virgin Islands.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.