As the date nears to Rick Ross’ God Forgives, I Don’t, he blows kisses to all his bitches on this track produced by Just Blaze. Aw, man! flex UPDATE: Dirty version. Sidebar: Rick Ross Talks MJB Collabo
Common told us last week that he couldn’t wait any longer to release his new single and now here is the final product. The Dreamer, The Believer is finally coming in November. Radio rip for now. hhnm UPDATE: CDQ Version.
The often reclusive Frank Ocean has announced that he will be doing three solo shows this Fall. Check the dates after the cut. Tickets available at LiveNation. cos
K-Dot teams up with Producer Nosaj Thing to create a new song for the new Windows Phone. After the cut check out the video which shows how the new track was created. uhtn
Nipsey has been gone for a minute, but since he hit 160,000 followers on Twitter he dropped some fly shit for his fans. His next project, The Marathon Continues on November 11th.
Travis Porter just released their new mixtape for the streets with features from Kelly Rowland, Big Sean and more. Here is one of the standouts featuring Meek Mill. Download the tape here.
Don’t hate the playa, hate the game. And for Trae’s latest freestyle, he gets his rocks off with Tunechi and Drizzy’s “She Will”. More heat from Trae coming soon. uhtn
Sure did. Mr. Cannon’s been jacking for beats lately and today, he sends a message to Charlamagne Tha God over Uncle Murda‘s underground smash. Whoa.
Marsha Ambrosius linked with DJ Aktive for a new mixtape of unreleased tracks and renditions of her personal favorites. Below she gives her take on Big Sean’s track. Download the mixtape here. hhnm
For #BeardAppreciationDay, MMG’s Stalley releases a cut intended for Lincoln Way Nights with Freezer and Rashad, who also handles the production. Yup, the beards are still in the building.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.