Come this Fall, Cudder is hitting the road and is bringing Big Sean, Tyler, The Creator and Logic to a few selected cities. The 13-stop show begins September 6 in San Diego. Peep the itinerary below. Sept. 6 – San Diego – Valley View Casino Center – w/ Tyler The Creator Sept. 10 – Vancouver, Canada – Thunderbird Sports Centre – w/ Big Sean & Logic Sept. 11 – Seattle, WA – WaMu Theater – w/ Big Sean & Logic […]
After a few delays, Cory Gunz finally drops his new collection of music, Datz WTF I’m Talkin Bout. Guest appearances include Busta Rhymes, Mack Maine, Wiz Khalifa and more.
In typical fashion, Count and Mooney do things the ski mask way in their brand new visual. Don’t Feed The Killaz 4 August 8.
In support of their collaborative project, 80 Blocks From Tiffany’s 2, Pete Rock and Camp Lo make their getaway with Uncle Murda on their latest release. Tape drops July 30.
Produced by Cardo, Crooked I keeps one eye open with track number 8 off his next solo set, Apex Predator. Don’t sleep. Album drops July 30.
Bey’s hometown welcomed the Mrs. Carter Show tour to the Toyota Center last night. With Slim Thug and Bun B in attendance, she kept it trill with a live performance of “Bow Down”. Video coming soon.
Migos’ “Versace” track continues to make it’s rounds around town. For it’s latest rendition, Pap decides to step up to the plate. The Nacirema Dream is available now.
Nights in the suburbs sure can be creepy. With Earl’s Doris expected to arrive on August 20, Earl, Vince and Casey bring their evening antics to the tube in support of the LP.
Slow and Bucks keeps shit lit with their Meek Mill-collabo by now adding Fabolous into the mix. The remix.
Give Chuck a beat and he’ll have no problem making it his own. And this evening, he test drives his flow over Migos’ and TeeFlii’s instrumentals.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.