How’s this for some art? Silhouettes of a strip tease help make DJ Paul and Drumma Boy’s new visual off their upcoming project, Clash of The Titans.
Author: Paul “Big Homie” Duong
Still in Chicago, Wale speaks on some of his influences in his new vlog. He later travels back home and visits the Rita Bright Family & Youth Center. Wale love the kids. The Gifted in stores Tuesday.
A gun up in your face and that’s all you can come up wit? Well for Juicy J and The Weeknd, they laugh in the face of danger on a typical night at the bar. Stay Trippy coming soon.
King Remembered In Time is back with his King freestyle series. For the third installment, he brings some his southern hospitality to Nas’ No I.D.-proudced track, “Stay”.
Bean Town showed J.Cole love last Friday for his Dollar & A Dream tour. For those who couldn’t get past the doors, here’s the recap from The Paradise. Four down, seven to go.
As their fellow guests J.Cole and Waka looking on and DJ Whoo Kid on the 1s and 2s, 360 and Chance The Rapper did the honors on closing today’s RapFix Live session with their raps.
If you come across Montana the wrong way, you may get Deebo’d. Co-starring Tommy “Tiny” Lister, French hits Miami’s runway and the highway in the latest visual off Excuse My French.
Fuck the others, YG’s riding with CTE. After announcing his partnership with Jeezy’s label, the Def Jam signee links with his boss and Rich Homie Quan for his new ditty.
Before we see Nicki twerk it in full, Busta gives us our first look of the recent video shoot as well as the recording of the remix. Video coming soon. ymhq
As T.I. takes his seat in the king’s chair, Waka lets the chips fall in his brand new video that he premiered moments ago on RapFix Live. Flockaveli 2 coming soon. Mo money, no problems.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.