With Fab and Trey lending their support, it’s 40 over everything on this cut off Excuse My French‘s deluxe edition. Album in stores next Tuesday. hhnm
Author: Paul “Big Homie” Duong
Fall is more than a few months away, but Inspectah Deck, Rae, RZA and U-God plan to kill it on this unreleased cut produced by Frank Dukes. Cop the audio here. A Better Tomorrow coming soon.
Kanye will return this Saturday as the musical guest for Saturday Night Live‘s season finale. With his chain heavy and a band-aid on his dome, here’s a few takes with host Ben Affleck. tkd
Not holding back, The Weeknd lures the ladies in with his fantasies on his sophomore album’s title track. At about the 3:00 mark, the audio segues into the mysterious “John Carpenter”. info
Over the dark production provided by 808 Mafia and Rozay’s helping hand, Guwop is creeping on a come-up with his mixtape’s title track. Trap House III checks in next Tuesday. xxl
Produced by himself and Crazy Mike, Juicy J is calling all the shots on his latest recording. Stay Trippy drops July 2.
Sans T.I., Robin and Pharrell kept the ladies moist (excluding Ellen, of course) with another live rendition of their collaboration. Hey, hey, hey.
Statik Selektah had a full house last Thursday during his ShowOff Radio. During the broadcast, Talib, Chance and Cory Mo took to the mic and showcased their rhymes over A$AP’s “1 Train”. All aboard.
With all the women featured, it’s no wonder why Terius wants to cut right to the chase. Here’s the lavishing visual for his album’s title track. IV Play begins May 28. Directed by X.
If you haven’t seen Curren$y live lately, he compiles three of his most recent shows in under three minutes, just for you. The audio can be found on New Jet City.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.