As the cameras roll inside the Shade 45 studio, Pusha T brought the Wrath Of Caine over to Kay Slay’s show for a lip sync rendition of his Young Chop-produced track. Blocka blocka!
Author: Paul “Big Homie” Duong
Before 50’s protege fighter Billy Dib went head-to-toe with Evgeny Gradovich last night, Fif walked him to the ring performing “New Day”. When it was all said and done, it was a split-decision loss for Dib. Rematch.
Flex is gearing up for the release of his tape, Who You Mad At? Me Or Yourself? Tonight, he rolls out the first offering from Breezy and guest Problem which he premiered a few nights ago.
Backed by Jake Troth and Epic Meal Time, Big Boi gets down and puts on a free show in support of his Vicious Lies & Dangerous Rumors. Album is on iTunes now.
Flo Rida is born ready. And with Future’s helping hand, he pulls an all-nighter on his new track, which premiered on South Florida’s 99 Jamz.
When did EPSN turn into Tha Basement? Following Bun B, Paul Wall pulls up and shows love to ESPN’s “First Take” by repping H-Town to the fullest. Daps all around.
Kirko Bangz is in love with a stripper. And while she works to make them dollars, he’s out having some fun of his own. Directed by Benny Boom.
G.O.O.D. Music’s Ryan McDermott calls upon the services of Hit-Boy for his latest tune. Look out for his debut album, Ryan vs. The Sandman: The Tale of the Sleepwalkers coming soon. complex
For the first time in over a decade, Project Pat performed in New York on Tuesday night thanks to Electric Circus. For those who were elsewhere, here’s a rundown of his performance. Mafia!
Staying on the right track, Kah Dahlia returned home to the 305 to film the video for her single. Full video premieres next Tuesday.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.