Top Dawg Entertainment invaded the Observatory on New Year’s Eve and above is the official highlights of their festivities. Be on the look out for another successful year from the camp.
Author: Paul “Big Homie” Duong
CiCi wakes up and turns up with Mike Will Made It on this new track, which she co-wrote with Future. Premiered on V-103 and off Future’s F.B.G.:The Movie mixtape. kc
B.o.B.’s mixtape Fuck Em We Ball is still up in this bitch over here. And still balling out of control in V.I.P. is Bobby Ray, T.I. and Juicy J in their new video. Good thing cause all rounds are on them. Directed by Decatur Dan.
In support of his Les Is More album, R. Les gives us the tour experience both on stage and backstage in his new video. Best seats in the house.
Future’s F.B.G.: The Movie is now dropping Tuesday, but DJ Drama provides a lil steroids with the tape’s latest leak. Watch its latest visual “Whip Game” here.
No ID’s collective are back with a new extended play. Guests on-board include Common and Jhené Aiko. After the jump, peep the 7 titles and download the project via Miss Info.
Off of his Cheez-N-Dope mixtape, Project Pat and Nasty Mane take to the gentlemen’s club for one fun-filled evening.
Young Buck and producer AOne never came up with that Bond Money. But today, they release a track that is presumably off the long-lost project. trapsntrunks
Talib Kweli’s Prisoners of Conscious will now be released April 23 and he gets things in full motion with two new tracks featuring some familiar faces. Purchase on iTunes now. “Art Imitates Life” Ft. Black Thought x Rah Digga “One Two” Ft. Jae Millz x Oh No
Jhené Aiko lays out her sweet vocals while Common spits an inspiring verse for Cocaine 80s latest tune. Off their Flower of Life EP coming soon. fakeshoredrive
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.