Brooklyn Nets head coach Avery Johnson and Talib Kweli have lunch at Junior’s to discuss past Brooklynites, giving back to the community and, of course, cheesecake.
Author: Paul “Big Homie” Duong
Straight off the iPhone, Cassidy dials in with a new record addressing everything from Swizz Beatz to some direct shots towards Meek Mill. Afterwards, the Philadelphia rappers exchanged the tweets below. Meek says: Listening 2 this diss….. Ima say cuz you lost ya mind! U really gone up top mentally …… I feel sorry for u! Lol When me and @CASSIDY_LARSINY was locked in the same jail!!! He was on “PC” protective custody …. I was on the “drama block” […]
With a heart of a lion, Ghost pokes his chest out and drops a quick rap over Escobar’s No I.D.-produced track, “Stay”. If you haven’t yet, pick up
While parlaying with the Soul Assassins on Shade 45, Jay Rock takes to the mic and catches the beat with a few bars.
Ay! Looks like this is really happening and Juelz goes up in smoke on the front cover of God Will’n. The mixtape is expected to drop at the top of next year.
A$AP recently previewed the revamped audio on Ustream, but this evening, the compact disc quality arrives. Get’cha muthafuckin’ hands up and support
While visiting the LA Leakers, the producer previewed his Jeezy track “Gangsta Bitch” off his upcoming Est. In 1989 Pt. 2.5. Tape drops Monday, but knowing him, we may get this track in full earlier.
Not too long after releasing the
Joey Bada$$ allows Pro Era to showcase their individual talents on their latest project. Production includes Statik Selektah, Lee Bannon, Thelonius Martin and more. Peep 18 titles and download below.
Last night, Omen hit the lab and entertained today’s theory with a new track. Now that we are all still here, take a brief moment and check it out.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.