E-40 is dropping albums like they’re about to go out of style. During his entrance at the Hip-Hop Awards, he tells HHW that the follow up to his triple The Block Brochure will drop on March 26.
Author: Paul “Big Homie” Duong
On the third show last night at the Barclays Center, Hov put his hits on pause to address jabs regarding his ownership percentage of the Brooklyn Nets. Fittingly, he then goes into “99 Problems”. Your criticism ain’t one.
Breezy kept it positive over the Hip-Hop Awards weekend by hosting an all-star celebrity ball game yesterday. Players included Nelly, Waka, Roscoe Dash, Shawty Lo and more. ATLNightSpots has the highlights. rap-up
MMG’s Stalley and Wale were both commissioned for the new theme music for ESPN’s First Take. Here’s the final word, titled “Every Word Great” featuring hosts Stephen Smith and Skip Bayless. Debate on that!
Pulling out the deck of cards and broads, The Kid Daytona and Kiss antes up with a new video. Looks like a game of strip poker and the women took the Ls.
It was already a full stage at Club Nokia last night for the Camp Flog Gnaw Tour. Somewhere between Odd Future’s set, they brought out Tune for his live edition of “No Worries”, “Pop That” and “Radicals”. Tyler also premiered a new song. 99point1percent
Plies squads up by having Waka Flocka add some of his inspirational lyrics to a track off his
The
Who let the dawgz out? Khaled, that’s who. After the awards, he was back at work today for his next movie. A few M.I.A, but he had others on set including Ace and the Conglomerate.
Chris got bars. And he has more than enough to go around on his 16-track mixtape, hosted by DJ Drama. Guests include
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.