
One of my favorite blogger/vloggers weighs in on Marshall Mathers’ love for polysyllabic words. You know who my partner is, but if you don’t like Relapse you’re lying to yourself. Ha!
But I’ll let Billy Sunday DP tell it.
“Eminem’s latest album ‘Relapse’ is fantastic for it’s graphic gory content. This album is part of the great history of epic entertaining horror-core productions. This album is rap’s ‘Nightmare On Elm Street’. It is horrific, disgusting, profane, satirical and brilliant all at the same time. Lyrically, I consider this to be on a classic level. If the beats by Dr. Dre were swapped out for some of the dark production of DOOM, or more appropriately RZA, this album would be a certified classic. This drop though is to discuss the lyrical eminence of Eminem. A reader stated that this album was garbage. I don’t believe that reader listened to this album or if he did his ability to judge art is negligible.”
Read all about it.
See ya in the D next Tues. Ha! Confession: I never met Eminem. And I’m gonna try my best to keep it that way.







This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.