Sounds like the trap is no place for Buck. So for his new video, he gasses up the motorbike and rides out. Off his mixtape, Live Loyal, Die Rich.
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After last week’s session in the lab, French Montana and Mac Miller bring forth the final product, which will be featured on the upcoming Coke Boys 3: Niggas With Coke. Sounds like a good time. hhc
[vodpod id=Video.16354977&w=540&h=350&fv=] The wigs come out at night. And over the weekend, Nicki celebrated the release of her album with her YMCMB fam at South Beach’s LIV nightclub. Missed the party? Here’s Derick G.‘s recap.
Before the mixtape drops at noon on Friday, Jon Connor greets us today with the third and final leak off the Eminem-inspired project, The People’s Rapper LP. Don’t forget, Season 2.5 coming soon.
It’s been a long time coming but The Weeknd will finally be touring this upcoming Spring in the US. The tour begins on April 15th at this year’s Coachella festival in Cali. Take a look after the cut to see if he’s coming to your city. pitchfork
After all this “beef” that has been going down between Havoc & Prodigy, Flex lets loose a new record from P. It’s a little different than what we would usually expect, but this ain’t bad. Let’s just hope all the beefin’ is over.
This past weekend, Nasir starting shooting the visual for his latest single, “The Don“. No official photos yet, but here are some flicks from the set taken from Facebook’s favorite app, Instagram.
Bad Boy’s Machine Gun Kelly has been very busy these days but he takes some time out to address the haters on his new freestyle over Tyga and Lil Wayne’s track.
Directed by Axel Laramee and Adam Roy, Jermaine complies tour footage from his European trek for his new music video. Globetrotting sure looks fun off the bench. If you haven’t already, cop The Sideline Story here.
shot: the dark nyte | canon eos 60d Prior to XXL’s Freshman Live Concert two nights ago, we caught up with Macklemore and Ryan Lewis. The Seattle natives spoke on life after the Bowery Ballroom, their excellent stage show, hip-hop scene in The Emerald City, and remaining independent as fuck. Photos after the jump.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.