The first lady of Young Money made the cover of the latest issue of FADER. The mag’s currently available at your local newsstand, but here are some pics of Barbie’s spread. Heads up: HHNM
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After a long battle with Atlantic Records, Saigon finally received his walking papers from the label. He tells Soul Culture that he owns the masters to his unreleased album, Greatest Story Never Told and wants to put out the project on his own terms. If you want something done, you gotta do it yourself.
Loso finally dropped it. So now the victory lap begins as he explains the mixtape’s inspiration, the delay, his first collabos with Cam and Minaj, and why Joe Budden didn’t make the cut. Another phone-in at the end. RealTalkNY
Looks like an hour before he blasts off his comeback song, Clifford’s gonna hype up the top jocks in the game first. Smart move, partna. Splash Again Previously: T.I. “I’m Back” Single Cover
You like good music? Shut up and groove then. Good morning! Dajaz Uno
No homo on the title but the Boss handles his biz over Tha Bizness’ soul production. Ricky still has great taste in beats. Somebody get him some McDonald’s. Or does he want Burger King. Ha. OS
OK, this is reaching “Exhibit C” status. Leave Banks shit alone! No mas. No question: Joell’s version upstages this bullshit. NR
Thug it out from Queensbridge to LeFrak City for The War Report 2’s new video. 57thAve x WSHH
Ri Ri got naughty with a pair of mechanical dummies robots during her performace at the ECHO Awards in Berlin. She even took a squirt to the face at the end. How rude. YBF
It was only right to bring out the hometown hero during the D.C. stop of the BP3 tour. With Trigga by his side, Mr. Folarin got to perform vanity inspired single. All ugly ladies, please be quiet. Earlier: Jay-Z Bodyguard Bodies Bum Rusher
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.