Read it and weep. Most of the shit leaked. *Jordan shrug* See ya on March 30. 01 Monstar (Prod. By Jimmy Jam & Terry Lewis) 02 Hey Daddy (Daddy’s Home) (feat. Plies) (Prod By The Runners) 03 There Goes My Baby (Prod By Jim jonsin) 04 She Don’t Know (feat. Ludacris) (Prod. By Bangladesh) 05 Mars vs Venus (Prod. By Jimmy Jam & Terry Lewis) 06 Get In My Car (feat. Bun B) (Prod By Polow Da Don) 07 Foolin’ […]
Devin’s got a new album dropping April 20th. So until then, here’s a new track from the LP. What do you be on? DGB
Here is the full version of a snippet that premiered awhile back. Chis definitely isn’t going away anytime soon. Mr. X
This probably was fostered after this session. Anyway, here’s another leak from Luda’s Battle of The Sexes. Hey ho, quit stalling and press play! Rap Up
With Lil Wayne heading to the big house next month, The Real shakes down the Young Money ring. Cartel, meet your connect.
[vodpod id=Video.3060619&w=425&h=350&fv=] Wiz Khalifa joins the pack as the fifth artist on XXL‘s Freshmen 10 cover. Body marked up like a subway in Harlem. Yesterday: Pill
LF
For addicts, the first step to recovery is admittance. And in this new video, Ricky and Birdman speak on their problem inside a local convenient store. Riveting stuff.
“Squashed that shit with Mayweather/ I call that real G shit” Up and down the interstate, there’s sure a whole lot of rockin’ on this one. Remixed courtesy of the Evil Genius. NR x HipHopNation Previously: Trailer: Snoop Dogg “I Wanna Rock (Interstate Trafficking Remix)”
At last week’s XXL Haiti Benefit concert, Blue Heffner reveals that he has another collaboration on the way with a guest we won’t believe. Also more footage from the gig including Styles and Juelz, who says do not ask him about a Dip Set reunion. A! OK. HHNM
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.