Not everyone walked away with a golden phonograph tonight. Here are a few tweets from tonight’s biggest losers. No TV show. Can someone forward Fab an MP3?
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Jamie Foxx and T-Pain joined forces again and performed last year’s hit, “Blame It”. Near the close of their set, Doug E Fresh, Gunz N Roses’ Slash and Jamie’s sibling accompanied the tandem on stage. Hey sister, go sister!
Jamie Foxx and T-Pain joined forces again and performed last year’s hit, “Blame It”. Near the close of their set, Doug E Fresh, Gunz N Roses’ Slash and Jamie’s sibling accompanied the tandem on stage. Hey sister, go sister!
Beyoncé brought out the riot squad during her performance of “If I Were A Boy” and Alanis Morissette’s “You Ought To Know”. Hey, Mrs. Carter!
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The-Dream gets no respect. After winning a Grammy for his work on Beyoncé’s “Single Ladies (Put A Ring On It)”, Dream’s acceptance speech is cut short by the orchestra. Ah, Terius, they didn’t let you finish!
Before the televised ceremony, Grammy’s were awarded in the Rap category. 21 years later, they still don’t give a fuck about us. Heads Up: Jimmy
With Nas seated nearby, Com Sense ends a songwriting discussion event with an impromptu performance of his Badu-blessed big hit. Bizarre but cool. Devi Dev
Here’s something from the enigma of Soul that we never heard before. A lil’ psychedelic funk for your Sunday? I’ll pass on this one. FWMJ
[vodpod id=Video.2963516&w=425&h=350&fv=videoId%3D63908145001%26amp%3BplayerId%3D1119642854%26amp%3BviewerSecureGatewayURL%3Dhttps%3A%2F%2Fconsole.brightcove.com%2Fservices%2Famfgateway%26amp%3BservicesURL%3Dhttp%3A%2F%2Fservices.brightcove.com%2Fservices%26amp%3BcdnURL%3Dhttp%3A%2F%2Fadmin.brightcove.com%26amp%3Bdomain%3Dembed%26amp%3BautoStart%3Dtrue%26amp%3B] VIBE tries to get Khaled to speak on Buju’s problems with the law but he won’t discuss ’em. Instead, he kicks some lyrics from dude’s catalogue. Funny stuff.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.