[vodpod id=Video.2936208&w=425&h=350&fv=] Swizzy knows the difference between guns & butter. At Dame Dash’s DD172 office space, the producer speaks on his admiration for fine art and says he’s collected pieces from Warhol, Basquiat, and Haring. Afterward, he mentions that he’s part of Ernie Barnes‘ estate. Lastly, he touches on his own creations and discusses studying under Jeff Koons. H.E.R.
[vodpod id=ExternalVideo.918253&w=425&h=350&fv=] From the Chi to Gary, Indiana is the visual for Freddie and Mikkey’s collab, off Maja 7th and FSD, The Breakout. This is how the Midwest was won—on their own. Sidebar: Freddie Gibbs Does Streetsweeper Radio with Kay Slay
“They got me twisted/ Like Chris Brown on a jet ski” This one’s for the duffle bag boys off the No Mixtape with no release date. No end in sight. NR
[vodpod id=Video.2935960&w=425&h=350&fv=v%3D3xZ9NmZBt4jhrnJL%26amp%3Busenw%3D1] “Speedboats, three tokes and pass it, grass lit Hit slopes in Aspen, no coat just A oath to stay thoro til we back to ashes” The FLA’s most passionate promotor provides a sneak peak to Mr. Jones verse from the title track of his next CD. Check the 2:25 mark, marks. How it sound? So far, so good.
Mo’ comp? I ain’t never scared. Check out Shad Moss’ latest venture here. Then 30 seconds later come back to Rap Radar, where you belong. Ha!
The Capo and Sin City tackle the Dirty Money secular track. Get ready for The Ghost Of Rich Porter to haunt your speakers soon. Props: Legend
[vodpod id=Video.2935796&w=425&h=350&fv=] Donnis chops it up with Slamxhype and discusses his single deal with Fool’s Gold for “Gone”, current bidding war, and endeavors for 2010. Good things to come.
[vodpod id=Video.2935796&w=425&h=350&fv=] Donnis chops it up with Slamxhype and discusses his single deal with Fool’s Gold for “Gone”, current bidding war, and endeavors for 2010. Good things to come.
Play time’s over?
Fresh off his Complex cover, look who’s willing to share his thoughts. It’s deeper than rap! Ha.
![](https://disqus.com/api/users/avatars/50 Cent's "5 (Murder by Numbers)" Review.jpg){kind=small}
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.