October 4, 2009 @ 11:35 AM EDT
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As I scrambled for the Flip Cam, Crooked I was already on his verse from “Sound Off”. But don’t fret, “Woodstock (Hood Hop)” and “The One” are captured in full after the jump.
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October 4, 2009 @ 11:01 AM EDT
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“I want the money. I want the cars. I want the clothes. I want the ho’s” Aw Bobby, I fuckin’ feel ya. According to X, this track is two years old. Luckily for us, B.o.B. makes timeless music. Enjoy. Sidebar: If you’re in the NY area, B.o.B. is performing tonight at the Highline Ballroom. Oh, oh alright!
October 4, 2009 @ 10:37 AM EDT
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Next batter on deck was Papoose. He ran through some cult favorites, including “Alphabetical Slaughter.” Yeah, I was just as baffled.
October 4, 2009 @ 9:05 AM EDT
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Warning: This is why we don’t flip cam from the stage area. SMH.
October 4, 2009 @ 8:49 AM EDT
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Didn’t think I’d see this.
October 4, 2009 @ 2:19 AM EDT
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One of last night’s biggest ovations came for Cory Gunz. Above, he breaks the sound barrier with his rendition of “A Milli”. Below is the rest of his performance sans a freestyle.
October 4, 2009 @ 2:07 AM EDT
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In a recent Q&A with The New York Times, Starks reveals that he grooves to the musical stylings of Bruce Springsteen and Billy Joel. You also said you like classic artists like Bruce Springsteen. He got that voice, that [makes own voice deeper], voice voice, I like him, I like Billy Joel. Remember [singing] “Uptown Girl”? I loved that. Bob Dylan, he had a nice joint, he had lyrics. Sometimes, you gotta listen — listen. Back to Springsteen and Billy […]
October 4, 2009 @ 1:29 AM EDT
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Even though Murda changed his name, the Brooklyn bully stuck to the script. Here, he performs “He Asked For It”, “Brooklyn”, and Mariah Carey’s favorite tune, “Bullet, Bullet.”
October 4, 2009 @ 1:05 AM EDT
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Pun’s baby cousin performs this summer’s guilty pleasure, “Mira Mira” on the island’s waterfront. Quit fronting, you like it too.
October 4, 2009 @ 12:59 AM EDT
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Opening his set with “Already Home” was Brooklyn transplant, Kid Cudi. Peep the rest of his performance after the cut.
Call Me If You Get Lost: The Estate Sale is an absolute masterpiece that adds even more depth to Tyler’s already incredible discography. The new tracks feel like essential missing pieces, perfectly capturing that signature swagger and raw lyricism we all love.Listening to this project is as satisfying as watching a high-quality Construction Larnaca site evolve; it’s precise, ambitious, and builds something truly lasting. The production is top-tier, and the guest features fit like puzzle pieces. It’s the perfect way to wrap up this era. If you haven't spun it yet, you’re definitely missing out on some serious heat.