News
[youtube=http://www.youtube.com/watch?v=_l9vJZMx88c]
Lloyd explains why he asked for his release from The Inc. He says that his label wasn’t returning his calls nor has he spoken to Irv in over a year. Props to Lloyd for taking his career in own hands. Sometimes if you want something done, you got it do it yourself. And if Street Love was any indication of that, he’s headed on the right path. That album was muy bueno.
mbLdmEi-a38
Heads Up: RTD
Previously: Lloyd Wants To Leave Murder Inc.

From the pages of the October 2009 XXL, Jigga tells Bonsu Thompson that he’s not feeling Jimmy’s track.
Understood, but you’re one of the few rappers whose
movement is still followed by artists old and young. How conscious are
you of that position?
…Like I said, if the genre needs the game
to be stretched out, ‘cause you have those guys who are 35 years old
trying to make the smiley face or whatever, competing with Soulja Boy.
Ha! That’s a Trey Songz record with Soulja Boy on it. It’s hot. They’re clearly aiming at the young kids with that track.
It’s
not funny though. [Laughs] I mean, like Jim Jones, for example. And I
don’t mean this because we never see eye to eye. He made “Na Na Nana
Na.” [Laughs] What’s the difference between “Smiley Face” and “Na Na
Nana Na”? “Na Na Nana Na” could’ve been called “Smiley Face” [Sings] I
got the smiley face, na na nana na na.
*Dies*
Props: Karen Civil
Previously: Jay-Z Targets His Competition
In the film, X says that he lost respect for Jay after he became president of Def Jam. He says he felt betrayed when Hov was on vacation sporting flip-flops instead of helping him with his project.
Sidebar: Is that you Jody?
[vodpod id=ExternalVideo.890792&w=425&h=350&fv=]
Ruh-oh. Jay says his next album won’t be chart at number one because of its, um, diversity. Don’t do it, Hov. Reconsider! We need more “So Ghetto‘s” and less “Ghetto Techno‘s”. I can’t do it. © Bill O’Reilly
Props: 1515
[youtube=http://www.youtube.com/watch?v=XBsPDcQLgLk]
This evening, Chris Breezy sat down with CNN’s golden goose, Larry King. This was Chris’ first interview since beating up ex-girlfriend Rihanna seven months ago. With his mother and lawyer by his side, Larry grilled Chris about the incident, but the singer was reluctant to elucidate. In case you missed, here’s how it all went down.
Sidebar: Pardon YN’s “Fuck Boy” rants, Chris. He’s yellow bellied. A hit record= amnesia.
[vodpod id=ExternalVideo.885488&w=425&h=350&fv=videoId%3D36699021001%26amp%3BplayerId%3D340480126%26amp%3BviewerSecureGatewayURL%3Dhttps%3A%2F%2Fconsole.brightcove.com%2Fservices%2Famfgateway%26amp%3BservicesURL%3Dhttp%3A%2F%2Fservices.brightcove.com%2Fservices%26amp%3BcdnURL%3Dhttp%3A%2F%2Fadmin.brightcove.com%26amp%3Bdomain%3Dembed%26amp%3BautoStart%3Dfalse%26amp%3B]
We once had a version of this up. Now we got a trailer. Fair exchange? Oh well. Like the man says, “LET’S GO PEOPLE!” Diddy needs all the help he can get. Smh.

Previously: Dirty Money “Love Come Down”


Freaky girls listen up. In an interview with TSS, Boosie Boo talks about shoving ecstasy tablets in your anus.
Lil’ Boosie: …we be sticking pill up girl’s booty too!
TSS: Ok look, now I heard on the mixtape with Hurricane Chris, you mentioned that. What’s up with that?
Lil’ Boosie: Yea, it kicks in after 20 seconds. It hits them in 20 seconds.
TSS: How does someone even find that out?
Lil’ Boosie: I get it from my cousin. He did it to a few girls way back in the game. And it just took off. I put it in a song. Everything I put in a song, I’ve tried it. So I put it in her booty hole and it melted. It melts in their booty hole and it hits them in 20 seconds. You never know what they’re gonna do. They may break out crying talking about their momma doesn’t love them or something. It hit them in the booty hole good. The booty is like eating the pill.

Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.