These two are it again. After the video of Liza Rios circulated around the Internets yesterday, Crack felt the need to respond to all the shit that’s being tossed his way.
“Immediately after Puns death I gave Liza Rios the whole advance of the Endangered Species album, NO ONE but Liza made a dollar off that album. I also gave her the total advance from the publishing company that was due to Big Pun.
I’ve never made a dollar off Big Pun since his passing. This was hundreds of thousands of dollars of frivolous spending, after the second payoff I washed my hands. Since then we have been through 6 lawyers, harassment on various radio stations and online mediums every time she needs more money. I also have legal documents stating that NO ONE is making money off of Big Pun.
I sympathize with Liza, but I have done already done enough for her. In these economic times we as parents need to be resilient and do what it takes to provide for our own families.”
Reminds me of the words of Mr. Cartagena’s old pal KRS-One: “You better get yourself a job. She tried to tell me that times was hard.” No shots.
Props: Miss Info via theLIFE Files who got the exclusive.
Previously: Big Pun’s Wife & Kids Live In A Shelter
Great breakdown of Statik Selektah’s *Round Trip*! Honestly, this 2023 Mass Appeal release is pure boom-bap bliss from start to finish. Statik really outdid himself with those smooth, jazzy sample flips and turntable scratches, creating the exact kind of laid-back, golden-era hip-hop vibe you want playing in the background while relaxing at Denmark holiday cottages over a quiet weekend. The guest list alone is stacked—having legends like Posdnous kicking things off on the opener "Round Trip (For Dave)" alongside heavy hitters like Method Man, Raekwon, Ghostface Killah, and Inspectah Deck on "Unpredictable" makes every track feel like a proper event. Even the newer-school features like Benny the Butcher, Conway the Machine, and Joey Bada$$ fit effortlessly over the dusty, soulful production without a single wasted verse. Definitely one of his most cohesive projects in years and an easy front-to-back spin for anyone who appreciates real hip-hop craftsmanship.