
Here’s one helluva co-sign. Yesterday, Pill was featured in the music section of The New York Times. Over the weekend, I listened to his mixtape 4180: The Prescription (4180 is named after one of his addresses) and was enthralled by its wit and authenticity. I previously said on Twitter that his video, “Trap Goin’ Ham” is the best visual I’ve seen this year. His next clip, “Glass” from his follow up tape, 4075: The Refill is scheduled to drop in a few weeks. Get wit’ it or get lost. OK, then!

Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.