Nick Cannon fired back at Marshall on his blog for vituperating his wife Mariah Carey on, “Bagpipes From Baghdad”. If you remember, Em’s been sending shots at Mimi for a minute.
“At first I thought it was old material that had been dug up from when dude “fantasized” about having a pretend fling with Mariah. I was thinking to myself, ‘Hey that was before me so it is really none of my business, so I’m going to give him a pass.
So as I continued to semi enjoy Marshall’s rhyme scheme and flow, I mean let’s be honest dude used to be incredible. He was a witty lyrist with dope delivery and timing. Some even say, one of the best to ever do it. I had nothing but respect for this dude. But all of a sudden I hear my name in the verse! My first reaction was like, “This is his new shit??? Wow, that’s too bad…” Then I felt sorry for him because he must really be stuck in the past. Not only has his music not evolved, but also homeboy is still obsessed with my wife, the same female that wouldn’t let him get to second base from 8 years ago! He even describes his desperate lameness in this bad excuse for storytelling track. That’s some real middle school shit right there! (What type of grown ass man lies about getting with a chick) Only Slim Lamey! LOL! “
Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.