[youtube=http://www.youtube.com/watch?v=7e0XjnoWiYk]
Internets. I’m featured in this video. Internets. My brother Steven is in this video. Internets. This was in front of the Joe Budden/Slaugterhouse gig at SOB’s where everyone was waiting for Saigon to bumrush the show. Internets. It didn’t happen. Internets. The beef is over. Internets.
Government cheese delivery to Dallas Penn. He’s the best. Internets. The best.
[youtube=http://www.youtube.com/watch?v=DTNYiwrXYT4]
Damn, it must be ‘Town Appreciation Day here at RapRadar! Here’s a clip of Tupac’s homegirl yesterday on The Whoopi Goldberg Show View.
Last seen at Young Kingz Daily
Yukmouth and Cookie Monster Keak da Sneak put on for their city with this new cut.
“Da Town”
{mp3}yukmouth- da town{/mp3}
Respect to 38th Notes via The Bay Is Back
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The day we launched, T.I. and Vibe magazine visited some youngsters at a school in The Bronx. I never had a rapper come to my school. But then again, I barely went…I keeeeed.
Words Brian “B.Dot” Miller
Time flies, but 19 years ago today, MC Hammer slowed things down in the game. In less than a year, his sophomore album Please Hammer Don’t Hurt ‘Em, became the first hip-hop album to clock 10 million units. That’s right, diamond—a feat that has yet to be topped in any musical genre, since. In between running his new site, Dancejam and filming his upcoming A&E reality show, Hammertime, Stanley found time to talk to RapRadar about getting his props, MC Serch, and why diamond is a rapper’s best friend.
This blogger’s hit me about gettin’ down with the team. Well come with shit like this and I’ll put you D. See!
“What’s happening sir? It’s your day finally! The moment all of the hip hop community has been waiting for. Your return into the game. It’ll be interesting to see your first interview with DJ Drama tonight. I wonder what Drama has to say. What you have to say. I’ve decided to give you another chance.
With "Which One," Drake and Central Cee bridge the Atlantic through their shared affinity for Caribbean-influenced sonics, cementing UK drill's arrival in mainstream hip-hop's upper echelon. This collaboration isn't just another checkbox on Drake's endless list of co-signs—it represents the continued global evolution of Black music dialects, with Central Cee's gritty London cadence providing the perfect counterbalance to Drake's melodic versatility. The track's immediate chart success proves that the UK-Toronto pipeline remains one of hip-hop's most fruitful cross-cultural exchanges.