December 18, 2012 @ 3:52 PM EST
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Carrying on
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December 18, 2012 @ 3:21 PM EST
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It’s official: The good kid, did good. Kendrick’s debut, Good Kid, m.A.A.D City has crossed the 500,00 mark. Congratulations to the entire TDE camp. Support the platinum cause and grab the album here.
December 18, 2012 @ 2:33 PM EST
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Action Bronson’s across the pond and for Tim Westwood’s crib session, he delivered a set of free rhymes. Download Rare Chandeliers here.
December 18, 2012 @ 2:01 PM EST
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Say Hello to the Stafford Brothers. Last week, Cash Money Records signed
December 18, 2012 @ 1:02 PM EST
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“That’s the exact reason I had mines.” In this portion of his interview with Sway, Clifford speaks on the tragic shooting in Connecticut and uses the second amendment to
December 18, 2012 @ 12:28 PM EST
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Meek’s dreams are turning into nightmares. Earlier, a Philadelphia judge pumped the breaks on Meek Mill’s touring schedule for a month. The ruling stems from a probation violation in which Meek made unauthorized appearances and failed to report to his probation officer. This summer a judge warned Meek about his lyrical content.
December 18, 2012 @ 11:57 AM EST
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Noteworthy quotes from the Kang ensue.
December 18, 2012 @ 10:32 AM EST
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Superstorm Sandy prevented Rita’s show, but she made up for it last night at the
December 18, 2012 @ 10:04 AM EST
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Common sat with Carson Daly to discuss his upcoming film, Luv. He also touched on his childhood in Chicago and giving back with his charity work. Luv is in theaters January 18.
December 18, 2012 @ 9:56 AM EST
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“Now how heavy is the head?” T.I.P.’s out West and swung by L.A.’s Power 106. He explains the subtitle of his album, his trouble with the law and Will Smith reaching out to Obama to pardon him.
![](https://disqus.com/api/users/avatars/50 Cent's "5 (Murder by Numbers)" Review.jpg){kind=small}
[…] “Can I Speak to You,” produced by DJ Pain 1 and featuring ScHoolboy Q, is the best track on the project. The beat is lush and sample-forward, in a dusky, early-2000s Just Blaze lane. Q, a rising TDE rapper, takes a substantial verse. 50 Cent sounds re-energized. He becomes the trash-talking 50 that was missing from the other songs. The closer imports a younger West Coast voice onto a Queens street album and returns 50 Cent to competitive writing after a run of money and sex records. […]