Naming a mixtape after Mexico’s most notorious drug kingpin, Joaqu
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Wiz’s main squeeze is the focus on the July/August cover of KING magazine. The issue hits stands May 31st, but here’s an excerpt from the feature below. Behind the scenes video after the jump. What
[vodpod id=Video.8567448&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] You can’t knock Ace Hood’s hustle. And with that said, here’s
Directed by Mr. Boomtown, 40 Water, Thugga, and Bun bring out the candy-coated whips in their new flick. Revenue Retrievin’: Overtime/Graveyard Shift available now. wshh
Kanye held a benefit concert last night at the Museum of Modern Art
Not
[vodpod id=Video.8518540&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] Prodigy appeared on
Earlier this evening, the Science Of Speech concert featuring Rakim, De La Soul and Black Star went down
The original version of the track featured Drizzy, but Tank keeps the party going with two of R&B’s top dogs for the official remix. It don’t get any better than this ladies. ybf
We got something
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.