[vodpod id=Video.5822341&w=540&h=350&fv=] Jay Sean and Lil Wayne ignite the dance floor and light up our video player with their latest visual. We see you, Birdman. Get ready for Freeze Time on May 10th. Oh yeah: Warning.
Earlier today, an unreleased track from Common hit the ‘net. And according to Andrew, it was recorded during Com’s Like Water For Chocolate days.
Fresh off Jon Connor’s SXSW weekend, he delivers his latest freestyle in support of DJ Booth‘s 238th freestyle series. Produced by Optiks.
Well it ain’t James Bond. It’s Gucci. Gucci Mane. And here The Source takes us on the set as they bring their latest issue to life. On newsstands now. Go pick up B.Dot’s first cover story. He got his.
Although this track dropped seven months ago, Obie finally decides it’s time for the video. As far as when Bottoms Up is dropping? Uh, who knows. hhh
[vodpod id=Video.5820764&w=540&h=350&fv=configParams%3Dseries%253D1148%2526id%253D1518071%2526vid%253D634975%2526uri%253Dmgid%253Auma%253Avideo%253Amtv.com%253A634975] Breezy might of had one bad morning, America, but he keeps his head high with his latest video featuring a collage of random footage. Beautiful. F.A.M.E. in stores now.
During SXSW, The Human Serviette caught up with Odd Future. As always, he dug in his bag of tricks for another hilarious interview. An Eminem urinal mat though? Ha! Sidebar: Odd Future On Eating Tacos With Jay-Z
XXL‘s 2011 Freshman Class: The Mixtape drops tomorrow at noon. But today, here’s the first release featuring Mac Miller. If you’re in the NY area today, don’t forget to catch the freshmen tonight at B.B. Kings at 8 PM.
[vodpod id=Video.5819754&w=540&h=350&fv=] For the second part of Rozay’s I Am Music 2 Tour vlog series by Spiff TV & Dre Films, we get a compilation of footage during the tour’s first four stops. Self Made is coming May-Bach 24th. Last Week: Vlog 1
Reek DeVille is back with yet another new track, but this time he plays daddy mack over B.I.G.’s classic. Off his upcoming project, How To Be A Player. True playa, forreal.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.