[sparkart-clique site=”rap_radar” video=”drake_9_am”] B.Dot already hustled hard to bring you the surprise performance from guest J.Cole and now here’s some solo highlights from Drake’s super show last night in the NYC. The opener “9 AM In Dallas” up top and “Up All Night”, “Show Me A Good Time”, and “Fireworks” below. Explosive! Ha.
Snap out of it. With nine lovely ladies (Ksyn, what up!) Pharrell, Chad, and Shay premiered their new mesmerizing track last night on The Late Show With David Letterman. Remember, cop the album about Nothing on November 2nd.
Cam’Ron and Vado’s “Soul Plane” must’ve experienced a delay. Although the song is over a year old, the tandem just released their visual to worldstarhiphop. Prepare for take off.
Them boys are still at it knockin’ out more tracks while out in Miami. Hey P, nice shorts. Ha! heads up: nav
Drugs are bad, but this sounds good. So light your blunts kids ’cause Jimmy’s got a tune for y’all to smoke to. splash
Jus in case you didn’t know, Devin The Dude is dropping his Gotta Be Me project on November 2nd. Until then, cool out with this.
Jeezy said he’ll have the last laugh. And he wasn’t lying. Here’s his new street mix featuring some new material and that lukewarm “Jizzle”. Link and track titles after the jump.
Tonight, Drake’s “Light Dreams and Nightmares Tour” made its way to Radio City Music Hall in NYC. But before Drizzy continued his set, he brought out J.Cole for “Who Dat”. Who’s got the flame now ?
We had the feeling we’d hear more music from these two. And now, our speculation has been confirmed. 50 throws his vocals in over the singer’s slow groove. This is strictly for the ladies. thisis50
This past Sunday at the Low Low Car Show in San Antonio, Paul Wall attacked a concert-goer with a mic after a middle finger was thrown. After the video above emerged online today, the People’s Champ issued an apology via XXL. Hey, we feel more sorrier for that douche bag. “I want to sincerely apologize to my San Antonio Fans as well as Paul Wall Fans worldwide for allowing myself to become distracted during my recent performance at the Low Low […]
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.