Keeping it in the trap, Jeezy’s only got money on his mind with his brand new street single, produced by Childish Major. Below, he begins recording his next album with Ludacris, Future, and Usher.
To coincide with his new venture, The Beamz, which allows users to create music with the movement of hands and laser light, Flo introduces the project with an accompanying new video. Pretty bright, huh?
Premiered on Ellen, Queen Nicki runs through her kingdom before getting sprayed by her latest, fragrance, Minajesty. The ad is directed by David LaChapelle.
The crown always is up for grabs. So in Pusha T’s new dark film in support of My Name Is My Name, he’s comes swinging for the title. Album drops October 8. Pre-order the album on iTunes now.
Rihanna visited British show Alan Carr: Chatty Man this evening. Aside from discussing her mullet cut, touring, clothing line and more, she performed her new single, “What Now”.
While Rich Homie Quan’s single continues to get replay on your FM dial, Meek Mill and Da Snowman add their contribution for the official remix. The more, the merrier.
With a blunt in his mouth and his hands on his cash, Lil Reese rolls his dice for the title track off his recent tape, Supa Savage. Ante up and download the project in full here.
Making their rounds in L.A.’s Fairfax district, Kid Ink and Casey Veggies shop til they drop at the DOPE and Pea’s N Carrot’s store. No layaway, just a free video giveaway.
Killa Kyleon is just one of the few to try their hand over Drake’s “Pound Cake”. And today, he follows it up with his accompanying video. Put’cha cups up. His Freestyle Friday tape is next on his menu.
Drake’s instrumental is still making its servings around town and Shallah is the latest one to get a piece of the action. Sounds like a piece of cake for Rae.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.