The Ill Na Na made her RapFix debut today and while addressing the rumors, she explains the reason why she didn’t join Fab at Summer Jam. She says Lil’ Kim was added last minute and they haven’t resolved their issues.
With a few drinks, some hookah and plenty of women, Tech N9ne makes things right in the latest visual off his Something Else. Album is on iTunes now.
Ransom joins the party and laces Big Sean’s instrumental for his Kendrick response. Looks like it’s going to be awhile before this dies down.
True love is hard to find. But in support of Masspike’s Skky Miles 2: Cozmic Cloudz tape, you can find it all here in his new video featuring Ace Hood. Skky Miles 3 coming soon.
Now that Scott Storch has cleaned up his act, last week, he appeared on Shade 45’s morning drive. Following his interview, he allowed Brooklyn upstarts Shakespeare and Maffew Ragazino to spit never before heard tracks. More after the jump.
Guwop revisits the Trap House 3 and is up to his same ol’ antics with Sosa in their new video. Gucci’s current project, World War 3: Molly, Gas & Lean is now available. Directed by SpiffTV.
Things get pretty wild on Nick Cannon’s MTV show. But last night, things got crazier when A$AP Rocky hit the stage for the aptly performance of “Wild For The Night”. Wild out!
Algernod keeps the momentum of new music coming this afternoon by adding his touch to Woop’s “Pussy Nigga”. Don’t take it personal y’all.
First things first: this is not Eminem’s new single. Produced by DJ Khalil, the track will appear on Em’s upcoming album and is a part of the Call of Duty: Ghosts game.
Power 105.1’s Charlamagne Tha God has a lot of jobs. And next Tuesday (August 20th), he’ll add another one to his resume with the debut of Charlamagne & Friends.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.