Ain’t nothing like a game of hardball. And for Casey Veggies new video, he brings his antics to the dugout. Off his Life Changes mixtape which you can download here.
Ain’t nothing like a game of hardball. And for Casey Veggies new video, he brings his antics to the dugout. Off his Life Changes mixtape which you can download here.
Rah Digga takes a dip in house music upcoming EP, Hood House. With a Dennis Ferrer “Hey Hey” sample on deck, here’s her first release.
Louisana upstart Kevin Gates been making a name for himself along the Bible belt. With release of his street mix Stranger Than Fiction, here’s his latest video inspired by real life events.
Directed by Flor Tejada, a woman goes above and beyond for her man in The Kid Daytona’s new visual. Caution on the nip slips during the bathing scene. Says The Kid Daytona.
At the stroke of midnight, the freak comes out on Kat Dahlia’s new track produced by Salaam Remi. In other, but disturbing news, she caught a D.U.I. last week in Miami. Her debut My Garden, coming soon.
In their effort to stop domestic violence, Mark Morrison returns with a new track featuring the Slaughterhouse MC and Slip-N-Slide songstress Shonie.
When the weather is nice, it’s time to hit the pool. And in support of his recent mixtape, Day Two, Young Dro and Doe B cordially invite us to their penthouse suite. Don’t forget the swimming trunks.
Listed as “Bump That Ass” on Flex’ Who You Mad At? Me Or Yourself?, Jeremih and Twista hit the hookah bar in the mixtape’s latest video. If you haven’t yet, you can download the tape here.
Nah, this ain’t Susan Lucci. Incorporating the film The Emperor Jones, newcomer Erika Kayne flips her lid for the object of her affection. The track will be included on her aptly titled EP, Citizen Kayne. Go stupid for that.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.