Before returning to prison next month, Beanie Sigel made his S.O.B.’s debut last night. He performed a string of his hits included new material from his album, This Time. Album drops August 28th. Film courtesy of
The truth shall set you free. And over Rick Ross’ “Tears Of Joy”, Slaughterhouse get some personal things off their chest. This is more spoken word than your traditional freestyle, so listen up. djdrama
Khaled’s album’s not in stores until next week, but he already has his next video in the can. Here’s the first look featuring the Gully God, Mavado. Kiss the Ring August 21st.
Nothing better than a good snapping session. Backstage at Meek’s Dreams & Nightmares Tour at the House Of Blues in Los Angeles, Meek Mill and comedian Kevin Hart play the dozens. You can catch Kev hosting this year’s MTV VMAs.
As #TDEFamAppreciationWeek continues, ScHoolBoy Q acts a fool on his new recording produced by Kenny Beats. Party on, dudes.
After releasing the first record off Dedication 4 last night, Weezy unveils the official artwork for the new mixtape which was created by a DeWeezy fan, Jesse Diebolt. Expect the tape to be dropping sometime next week.
Sean Kingston is Feeding The Streets every Thursday with new music. And to help kick off his series, he recruits fellow yardie Busta Rhymes. Let’s see how long this survives.
Think you really wanna get with this swine flu? Ty Kidd Previously: One Of A Kind
Although Curren$y and Wiz Khalifa’s Live In Concert mixtape is on hold, they’re continuing to work. And yesterday, the tandem shot the treatment for “Jet Life” off Spitta’s The Stoned Immaculate. Here’s how it unfolded from Karen Civil‘s lens.
Eminem was in Osaka, Japan last night and gave one of his rare performances. He began his set with “Won’t Back Down” and near the end brought out Royce Da’ 5’9″. Tons of clips below.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.