Y’all seen the making of. Now here’s the end result. On stands: 8.28.12. RESPECT.
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A few days ago, Complex compiled a list of the 30 best rappers over 30. Out of the Slaughterhouse outfit, only Joe Budden and Royce da 5’9″ made the cut. So disrespectful. The group took it on the chin (sorta) and reacted to the list with Its The Real. Funny skit. Complex‘s selections? Even funnier.
Before Statik releases his next album Extended Play, here’s a little something special with Term and Ea$y Money to get things rolling.
Gucci Mane’s next mixtape, Trap God is expected to arrive October 17, but today he pens his latest leak in ode to the Mexican druglord. Produced by Zaytoven. propanemedia
Sweet! Congrats are in order to Action Bronson for inking a deal with with Vice Records and Warner Bros. Remember, promises are meant to be broken.
Off his album Up & Away, Kid Ink takes a walk through hell on earth in his new video. Well more specifically the middle of nowhere.
It’s good to finally hear from Cudder again and for his new record he teams up with King Chip who is formerly known as Chip Tha Ripper. Yea, this is just what we needed. Indicud, coming soon. complex
Rick Ross kept the festivities going for God Forgives, I Don’t last night at Adrianna’s. AZaeProductions spots the Bawse on the balcony running through his “911”. We see you too Larry Hoover Jr.
With Kirko Bangz also down for whatever, Freddie keeps it G certified on his latest offering. Freddie Gibbs’ Baby Face Killa is on the way. fakeshoredrive
Dallas’ House of Blues welcomed Meek Mill’s tour last night. At the 11:20 mark, Meek performs his track “Face Down” and Trey Songz then joins him at the 12:54 mark. Video coming soon.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.