Although Bullets Ain’t Got No Names Vol. 3 dropped almost two years ago, that isn’t stopping Nipsey from dropping videos for it. With that in mind, here’s his visual aid for track 13 featuring June Summers.
Pretty interesting pair here. Fredro and Layzie heat things up for the opening track off their upcoming EP, Fire Squad. kingz
When it rains, it pours. And today, Jizzle makes it drizzle with another viral featuring Freddie Gibbs. Off Jeezy’s latest mixtape, The Real Is Back 2.
The Wu-Gambinos ran through OB4CL2 during Rock The Bells on Governor’s Island on Saturday. More clips from JonJohnTV including Slaughterhouse and Black Star after the jump.
Whether those in attendance were “Ready Or Not”, two-thirds of The Fugees reunited on stage during Rock The Bells on Governor’s Island in NY to recite their single off The Score. Guess Clef wasn’t ready to join ’em.
X to the V’s been gone for awhile, but fresh off tour, he’s Back In The Stu and here is the end result. Back like he never left.
[vodpod id=Video.15369666&w=540&h=350&fv=] Lately, it seems Mac’s been having a lot of best days ever. Last week, he performed his first UK show and spoke with DJ Semtex on his upcoming debut album, his influences, his come up and more.
Young Chris sets things off by joining Bow Wow on the Jahlil Beats-produced track off his Greenlight 4 mixtape. Even Queen Latifah would dig this.
Wale was just one of the many guests that participated during Ludacris’ yearly event this weekend in Atlanta. We follow Mr. Folarin to the court during the celebrity basketball game and Club Primal.
Better believe it, Meek Milly and his crew are blowing money like they never seen it for his new video off Dream Chasers. Speaking of the dough, check out “Drug Money” featuring GI The General below.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.