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Along with Joey, Busta’s right-hand man, hypes things up with his own set of rhymes. Respect this conglomerate too.
Since sports and hip-hop go hand to hand, SLAM picked Meek Mill and Philadelphia Sixer Andre Iguodala’s brain in their new issue. Tough loss last night, Dre. Sidebar: Meek on Lou Williams
Daniel Simmons was recently in the studio working on some material with producer Bangladesh. Although the final product isn’t previewed in the clip, Diggy does demonstrate his musical process. kingz
The Bieb already gave his take live, but during his show at Acer Arena in Sydney, Shawty Mane brought out Breezy as the dynamic duo recited the remix together. Sorry, no Busta or Weezy. ru
[vodpod id=Video.7347296&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] Last month, Bobby Ray released “No Future” in response to Tyler, The Creator’s shot on “Yonkers”. The Source caught up with B.o.B. to discuss his one, two jab.
This track has been floating around for a day and it comes from Canadian R&B group Untitled. They recently signed a deal with Disturbing Tha Peace/Def Jam and for their debut single, they get some help from the boss himself. heads up: hhnm
Off their Money Music Magnums mixtape, Travis Porter goes crazy and wacky in their latest video. Hellooo nurse! wshh
[vodpod id=Video.7340960&w=425&h=350&fv=configParams%3Did%3D1662776%26amp%3Bvid%3D646955%26amp%3Buri%3Dmgid%3Auma%3Avideo%3Amtv.com%3A646955] At the close of Ja Rule’s conversation on MTV RapFix Live yesterday, Sway convinced he and Peter Gunz to kick some prepared raps. Cory’s dad ain’t half bad!
“Hey, shawty got her get her money…” When the money goes, will the honey stay? Apparently not. Now that Diamond of Crime Mob is dating Soulja Boy, her former boyfriend Lil Scrappy called the Durtty Boyz on Hot 107.9 in Atlanta to comment on her new situation. At least Scrappy was more diplomatic than his mom.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.