Breezy was in Luda’s backyard a few days ago for F.A.M.E.‘s listening session in Atlanta. Hosted by V-103, DJ Greg Street captures the pair reciting their duet, “Wet The Bed”. Album in stores March 22. hhnm
Yesterday, Alabama native Yelawolf brought his energy to the stage at Fader Fort at SXSW. Here’s footage of Catfish Billy performing his track “Trunk Muzik”. Turn it up and drink a lot of fuckin’ beer. Sidebar: What’s Poppin SXSW: Yelawolf
On top of releasing the video for “Tiger Blood”, the Talk Of New York delivers his third installment of his Gunpowder Guru series. Time to clip up. Tracklist and download link after the jump.
Grand Hustle’s very own, Polo Dro keeps his new music moving forward and has released his latest project. Only way to co-sign this, is to download it after the jump. sermon
After a few delays, Red Cafe finally releases his latest mixtape. You don’t have to reach for the sky for this one. The tracklist and download link is under the cut.
The second track off X to the V’s mixtape, Everybody’s Nobody just got an impressive feature from Pusha T. After one listen, this remake will leave y’all in awe. green hitz
Wale drops off another new groove and this time he lays a verse down on Rozay and Wiz’s Ashes To Ashes track. Self Made coming May-bach 24.
[vodpod id=Video.5786011&w=540&h=350&fv=configParams%3Dvid%253D633100%2526uri%253Dmgid%253Auma%253Avideo%253Amtv.com%253A633100] During the kick-off of his I Am Music 2 tour last night, MTV caught up with Lil Wayne and revealed Tha Carter IV is complete. Weezy also gives it the release date of May 16. Yeah Tez, stop sitting on it. Ha!
During his recent UK adventure, Joell Ortiz stopped by Tim Westwood’s spot and blessed the airwaves with a freestyle over Fab’s track. You smashed it down, baby.
And after the original—well you know the rest. Here’s Trav’s hit single with new verses by Swizzy and Weezy. Travis Barker’s Give The Drummer Some available now.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.