Variations of this track have been floating around, but Rap Dose comes through with the final version. Production courtesy of Los Da Mystro. Fly On The Wall buzzes on March 22nd.
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[vodpod id=Video.5724344&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] The last we heard from J.Cardim was when his mixtape, In The Crowd dropped, but now, he’s back in the hood with his latest visual. Welcome to the barrio.
This had to be one of the first rap shows that actually started on time. Shortly after 10:00 p.m., Yelawolf touched down at the Highline Ballroom. During his set he also brought out Pharaohe Monch. If you missed out, here’s Amaya’s film from the gig. Holler atcheeeeaaa! Sidebar: Photos From Kirill Was Here x Mel D. Cole
During Mac’s uStream session last night, he dropped a new track. It’s produced by Ritz Reynolds and will be found on his tape, Best Day Ever which drops this Friday.
Before Yelawolf commanded the stage at the Highline Ballroom in NYC, CyHi Da Prynce warmed up the crowd. Here’s some footage from his set.
Joey Crack is back and once again annihilates another Mark Henry-produced track featuring Vado. Competition beware. They’re killing ’em baby. flex
[vodpod id=Video.5727308&w=540&h=350&fv=] To commemorate the release of Shaolin Vs. Wu-Tang, Shallah’s holding a concert at the Music Hall of Williamsburg in Brooklyn. Currently in progress.
[vodpod id=Video.5727206&w=540&h=350&fv=] Ace Hood was in the Big Apple last Friday and hits the Def Jam office to meet L.A. Reid. Afterwards, Ace performed alongside Rozay at the Best Buy Theater and caps off the night at Club Soiree. Hey, it’s just another day.
[vodpod id=Video.5771970&w=540&h=350&fv=] With the lovely Melanie Fiona as special guest host of 106 & Park today, it was only right that she premiered her latest video off her sophomore set, The MF Life. Don’t blink—or she might not come back.
How about some horrorcore? Well, more specifically it’s just Tony Yayo and Danny Brown providing that 187 audio. It’s the soundtrack to violence music. Don’t get scared now. thisis50
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.