For his latest clip, Killa Kyleon plays casanova for the closing track off his latest mixtape, Candy Plate & Texas Plates. Don’t go astray and click away.
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The Gun Powder Guru is back and for his latest track, he pens his aggression for all you social networking thugsters. GPG 3 coming soon. thisis50
Mr. Yaowa continues his lyrical assault on radio’s heavy rotation joints. Slow down, son, you killin’ ’em. Previously: “Hustle Hard (Remix)”
It’s that time of the week and Snoop keeps his #puffpuffpassTuesdays going strong with this smooth tune. Doggumentary in stores March 29.
[vodpod id=Video.5675079&w=540&h=350&fv=] This past weekend, Kanye & Mos Def surprised everyone at The Blue Note Jazz Club in NYC. Above is a quick one minute clip of Mr. West’s freestyle courtesy of Revivalist. Lupend
We don’t love them hoes, but Gucci and company sure admire everything that they do. Produced by Zaytoven, here is track numero six off Return Of Mr. Zone 6. Get into the zone March 22. dgb
[vodpod id=Video.5674319&w=540&h=350&fv=] It’s been a week since Pill signed his signature to Rick Ross’ Maybach Music Group. Now with the ink dry, he speaks on joining the label and what he brings to the table. There’s also scenes of him filming his new video “Get Your Roll On”.
Over on the other side of the world, more specifically, Abu Dhabi, Pusha layed a verse down to MBDTF‘s closing track. Today, the man himself emancipated it for all of us to hear. Fear Of God is coming.
If you haven’t purchased Sai’s album, hopefully you’re on your way to your local retailer. And if FYE is your final destination, here is the second of the five bonus tracks.
[vodpod id=Video.5673257&w=425&h=350&fv=key%3Dee0a63a6be] Tyler, The Creator and his band of misfits show off their comedic skills with actor Paul Scheer in this new skit for Funny Or Die. I’m afraid of the future. No pun intended.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.