Along with Juicy J and his fellow Coke Boy, Chinx Drugz is on the prowl on his latest track. Off his upcoming mixtape, Cocaine Riot 3 hosted by DJ Drama. flex
Tag: chinx drugz
Wale’s letting us know that he’s continuing to push his
Putting a price on someone’s head is pretty pricey. But Prodigy, Chinx Drugz and Boogz Boogetz ante up and go for the kill on this new track. Put your money over at iTunes and cop it here. hhnm
Chinx keeps the coke moving with the Bugati Boyz and French Montana for the remix to his underground hit. This coulda been a contender if released sooner.
Whatever profession it may be, dope boys are coke boys in Chinx Drugz and French Montana’s video directed by Eif Rivera. Bloggers are coke boys too, ladies.
The Lower End Professionals and the Coke Boys clean up their cash at the local laundromat in their new video. More than likely, this will appear on the Bogus’ mixape, Don’t Feed The Killaz Vol. 4 coming soon.
Gotta go where that money go. Under the direction of Mazi-O, French Montana Red Cafe and Chinx Drugz turn their video location into a crap table. Watch ’em break ’em with the seven-eleven.
Not enough money in the world can buy this game. So Coke Boy distributor Chinx enlists Montana and Wale for a track off his new mixtape, Cocaine Riot 2 now available. Ya better think like a pushaman. hiphop-n-more
French Montana and his Coke Boys are currently overseas and took a stop by Tim Westwood’s radio show. We haven’t seen the interview segment yet but, here is the freestyle French & Chinx did over Chief Keef’s “I Don’t Like”.
Chinx Drugz is taking the solo route with his new mixtape, Cocaine Riot 2. It’s coming soon, but here’s his latest cut featuring French Montana. Produced by Harry Fraud.
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.