[vodpod id=Video.11812925&w=540&h=350&fv=] Not too long after Breezy released his take, Drizzy throws back some booze and drops this visual aid for the official version.Yea, we know Chris. Good night. Ha!
And the various renditions of Aubrey’s ballad keep making its way through and this morning, Chris Breezy decides to make room for another one.
[sparkart-clique site=”rap_radar” video=”khaled_onone”] While on the 2011 BET Awards Red Carpet, DJ Khaled premiered the video to the song of the summer. Remember, We The Best Forever July 19th.
Aubrey is usually the one receiving awards, but last night during ASCAP’s 24th Annual Rhythm & Soul Music Awards in Beverly Hills, October’s Very Own presented Boi-1da and Noah “40” Shebib with the Songwriters of the Year honor. O Canada, wins! ru
Seems like The Weeknd got some trust issues of his own, so he decides to give his own take on Drake’s latest track. His new mixtape Thursday is coming soon, please believe it.
[vodpod id=Video.11592342&w=540&h=350&fv=%26rel%3D0%26border%3D0%26] Tuesday night at Southpaw in Brooklyn, Drizzy was in the building for the Elevator Fight show and FADER caught up with him quickly after. He speaks on his sophomore album, Take Care and says the official first single will be coming in a week or two.
Another morning, another new tune from Drizzy Drake. He riffs a lil’ “I’m On One” at the beginning, but this ain’t a remix. It’s probably the original demo. Anyway, we don’t trust these bitches either, Drizzy. Ha! Ovo Update: Yup, not on album.
At the 2011 MuchMusic Awards last night, Drizzy and Ontario’s Justin Bieber both tied for International Video Of The Year By A Canadian. Drizzy won for “Find Your Love” while the Bieb won for “Somebody To Love (Remix)”. O Canada, congrats!
Never thought JoJo would make it to the Double R, but she recently made herself comfortable over “Marvin’s Room“. Does it get any better than this?
365 days ago, Drizzy changed the game. And he hasn’t slowed down since. All eyes on Aubrey.
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This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.