“Just cause he come from the street don’t make him street nigga“ You ain’t never lie. Maino’s been sitting on this record for a while now, but today, he lets it loose. This probably would’ve been better as a solo cut, but it’s still a quality recording nonetheless. Be sure to pre-order The Day After Tomorrow on iTunes.
Tag: push!
Features
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
By: Paul “Big Homie” Duong
Discussion
[…] In his telling, Dame asked Bleek if he was seriously interested in launching the Get Low label. According to Geda, Bleek said he was indeed serious and asked what he needed to do. Geda K claims Dame Dash told Memphis Bleek if he brought Geda to him so he could sign him to Roc-A-Fella Records, he’d give Bleek $1 million and would launch Get Low Records as a Roc-A-Fella imprint. […]
[…] In his telling, Dame asked Bleek if he was seriously interested in launching the Get Low label. According to Geda, Bleek said he was indeed serious and asked what he needed to do. Geda K claims Dame Dash told Memphis Bleek if he brought Geda to him so he could sign him to Roc-A-Fella Records, he’d give Bleek $1 million and would launch Get Low Records as a Roc-A-Fella imprint. […]
[…] “Can I Speak to You,” produced by DJ Pain 1 and featuring ScHoolboy Q, is the best track on the project. The beat is lush and sample-forward, in a dusky, early-2000s Just Blaze lane. Q, a rising TDE rapper, takes a substantial verse. 50 Cent sounds re-energized. He becomes the trash-talking 50 that was missing from the other songs. The closer imports a younger West Coast voice onto a Queens street album and returns 50 Cent to competitive writing after a run of money and sex records. […]
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[…] Jones brought High Times into the fold. “Scram actually pulled that off,” Styles said. “He’s like, where we going […]