Mr. Mathers called his radio station this past weekend, and checked in with DJ Whoo Kid. During their chat, Em spoke on working on his eighth solo album, Slaugtherhouse, upcoming Asia tour and the passing of The Beastie Boys’ MCA.
After giving Sway an unheard
They don’t buy out the bars, they just drop ’em. During their visit last week on Tony Toca’s show, AG shows and proves that he still got it over Hov’s “30 Something”. allindstrom
After giving Sway the “One Up“,
After ScHoolboy Q hit the mic yesterday, Sway convinced Sosa to follow up with a, uh, “rhyme” of his own. U like that? Sidebar: Chief Keef On Fatherhood
Over Beanie’s “The Truth” and B.I.G.’s “Dead Wrong”, ScHoolboy Q made freestyling look pretty easy with two on Sway In The Morning. Chief Keef sure looked impressed. Sidebar: Angie Martinez Interview
Prodigy made his way to the Shade 45 studios this past weekend and kicked it with DJ Superstar Jay. After promoting his new album, H.N.I.C. 3, he and protege Boogz Boogetz kicked a few bars. Seems like P’s style is more unorthodox than before.
During last week’s visit on Sway In The Morning, Tech N9ne and
Kardinal linked back with Sway yesterday,
Tech N9ne
Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.