With araabMUZIK providing the soundtrack, here’s Slaughterhouse’s new track. Lyrically, the group come correct. But it’s the chorus that’s really on point. Welcome to Our House May 15th. flex UPDATE: Dance with the explicit version below.
Shady Records’ fantastic four put their talents to use over Lil Wayne’s hit. The flows on the second half are real.
Technically, this is Crooked I’s recording. But, the gang’s all here. On the production end, the track’s produced by Boi-1da. As far as lyrics go, Royce Da 5’9 is a muthafuckin’ monster. Psalm 86:2 drops next month. lowkey
Before we get Slaughterhouse’s new album, welcome to: OUR HOUSE on May 15th, they will be going on a US Tour starting on March 8th, in Southside Dallas, TX. After the cut, see if the crew hits a city near you. uhtn
No need to ask who’s house. Shady 2.0 is still working. It’s so cold in the D. heads up: splash Sidebar: Mood Muzik Box Set
While Jeezy was throwing his album release concert, a few minutes away Slaughterhouse was holding it down at The Highline Ballroom in NYC. Up top is some footage from the night of the crew performing their track “The Illest” for the first time live. More from the fab four below.
On the eve of their return to Highline Ballroom, Royce, Joe Budden, Crooked I and Joell Ortiz swung by Hot 97 for their very first freestyle session with
Nickel Nine, Joell Ortiz, Joe Budden and Crooked I took their talents down to South Beach last night and recited their “Shady 2.0” cypher at Club Cameo. No Em or Yelawolf, no problem. ao
Yelawolf’s debut single just got a little harder. And thanks to Flex, here’s the remix featuring T.I. and Slaughterhouse. Spoiler alert: Crooked I and Royce are murderous. Radioactive spreads November 21st. UPDATE: No tags via x.
Still trying to adapt to rap? Well the second part of the series,
Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.