
Hallelujah!
Hallelujah!
Linda.
Rocking Tom Ford, Jay-Z cleans up nice on the front of Vanity Fair‘s November issue. In the cover story, Hov discusses family, his Forbes estimated worth and his drug dealing past.
So much for Ebony and Ivory. In an excerpt from the latest Vanity Fair, Justin Timberlake says Jay-Z was too busy to appear on his sophomore album, FutureSex/LoveSounds. Cry me a river. “Jay-Z has put out 11 albums, and I was talking about doing collaboration with him, and he said, ‘I can’t do it right now, but I’ll get you on the next album.’ I was like, ‘No, man, I don’t work like that. This sounded good to me for […]
Wale, in this track, shows once again his ability to blend different genres. He doesn't limit himself to hip-hop, but enriches it with R&B nuances, creating a familiar sound. This fusion is not only an exercise in style, but serves to intensify the emotional impact of the song. And then there is his ability to rap. Wale is a master at playing with words, creating complex rhymes and modulating his voice to best express his emotions. In 'Blanco', his rap part is an explosion of words that intertwine with the melody, creating a hypnotic and relaxing effect. His ability to go from moments of pure energy to moments of deep introspection is what makes this track so engaging; it reminds me of when you would slow dance, hugging your woman.