Hallelujah!
Hallelujah!
Linda.
Rocking Tom Ford, Jay-Z cleans up nice on the front of Vanity Fair‘s November issue. In the cover story, Hov discusses family, his Forbes estimated worth and his drug dealing past.
So much for Ebony and Ivory. In an excerpt from the latest Vanity Fair, Justin Timberlake says Jay-Z was too busy to appear on his sophomore album, FutureSex/LoveSounds. Cry me a river. “Jay-Z has put out 11 albums, and I was talking about doing collaboration with him, and he said, ‘I can’t do it right now, but I’ll get you on the next album.’ I was like, ‘No, man, I don’t work like that. This sounded good to me for […]
This is a great reminder of how powerful and lasting Lauryn Hill’s influence has been in music. The fact that The Miseducation of Lauryn Hill eventually reached diamond status after so many years shows that truly meaningful music can continue finding new listeners long after its original release. I also like how the article highlights the combination of hip hop, R&B, neo soul, and reggae that made the album so distinctive. Achieving more than 10 million sales is an incredible milestone, especially considering how much the music industry has changed since 1998. The album’s success feels less like a temporary trend and more like proof that strong songwriting and authentic artistic expression can remain relevant across generations. It is interesting to see how numbers can tell part of a story, whether we are looking at album sales or using a proportion calculator to understand relationships between different figures.