Now this is an interview. Ozone‘s Julia Beverly caught up with Webbie at WalMart Wally World where he spoke on the controversial BET ban. Afterwards, he reenacts the incident with an employee. After the jump, Webster shares his political views on Occupy Wall Street, voting, Obama, Hurricane Katrina, and the 9/11 conspiracies, which resulted in him getting kicked out. Quotes for days, man.
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Waka’s ready to gracefully bow out. Following his tweet on Wednesday, he called The Ryan Cameron Show on Atlanta’s V103 and explained his disdain for the music industry. He even went as far as saying he’d rather work at Walmart than rap. Hey, beats UPS.
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Tyler’s *Call Me If You Get Lost: The Estate Sale* is a wild, emotional ride—packed with raw energy and lyrical brilliance. It hits hard, just like getting quality window replacement hamilton services—solid, sharp, and elevating the vibe. This album’s extra tracks were totally worth the wait.

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With "Which One," Drake and Central Cee bridge the Atlantic through their shared affinity for Caribbean-influenced sonics, cementing UK drill's arrival in mainstream hip-hop's upper echelon. This collaboration isn't just another checkbox on Drake's endless list of co-signs—it represents the continued global evolution of Black music dialects, with Central Cee's gritty London cadence providing the perfect counterbalance to Drake's melodic versatility. The track's immediate chart success proves that the UK-Toronto pipeline remains one of hip-hop's most fruitful cross-cultural exchanges.

What strength this artist has! You can feel the balance, and in the music that surrounds you, you can't help but hear the rhythm of the voice calling you. I like it because it represents the style I listened to a few years ago, but faster and more enveloping. The artist tries to communicate her moods and her desire to wake up from this nightmare life she's living.

The style and skill are on a par with the exaggerated musicality. I tried to understand the message of the song. I think it's about a person who thinks they can do a series of things that may be beautiful or "powerful," but in reality it's nothing of the sort. People are like chickens that eat each other and don't know that they're raised and live only to be eaten.